Just two communities have applied to take neglected land into public ownership since the Scottish Government launched the initiative more than five years ago, The Ferret has found.
Since 2018, communities have been able to bid for the compulsory purchase of land that is abandoned, neglected or detrimental to the local environment or area, meaning that ministers can force owners to sell, even if they have no plans to do so.
Local communities can apply for the right to buy neglected land and property including greenspaces, woodlands, retail and industrial units, churches, halls, lochs, bridges, canals and foreshores.
However, just two groups have attempted to do so, and neither were successful, according to official data. Community ownership campaigners said the initiative set “too high a bar” for applicants to get past. An overhaul is needed to make it work for communities, they argued.
Dr John Baxter has a project exploring intersection of folk and music hall, the songs and social history at http://folksongandmusichall.com/.
On the below blog he details a number of other songs about the Three Acres And A Cow election campaign of 1885/6 other than the one that we share in the show. It seems that the others were mocking the labourers for hoping for such a thing, or even for being fooled into thinking it would ever be possible!
I was told about Hamish Henderson a few weeks ago and just spent a delightful hour making friends with his best known song ‘Freedom Come All Ye’.
There have been a few translations into English but I didn’t really like any of them so I’ve written my own, building on unattributed previous efforts. It’s such a shame that ‘down’ and ‘bloom’, and ‘more’ and ‘bare’ don’t rhyme in my southern English accent!
Original scots:
Roch the wind in the clear day’s dawin Blaws the cloods heilster-gowdie owre the bay But there’s mair nor a roch wind blawin Thro the Great Glen o the warld the day
It’s a thocht that wad gar oor rottans Aa thae rogues that gang gallus fresh an gay Tak the road an seek ither loanins Wi thair ill-ploys tae sport an play
Nae mair will our bonnie callants Merch tae war when oor braggarts crousely craw Nor wee weans frae pitheid an clachan Mourn the ships sailin doun the Broomielaw
Broken faimlies in lands we’ve hairriet Will curse ‘Scotlan the Brave’ nae mair, nae mair Black an white ane-til-ither mairriet Mak the vile barracks o thair maisters bare
Sae come aa ye at hame wi freedom Never heed whit the houdies croak for Doom In yer hoos aa the bairns o Adam Will find breid, barley-bree an paintit rooms
When Maclean meets wi’s friens in Springburn Aa thae roses an geans will turn tae blume An the black lad frae yont Nyanga Dings the fell gallows o the burghers doun.
Robin’s English translation
Rough the wind in the clear day’s dawning Blows the clouds topsy turvy about the bay, But there’s more than a rough wind blowing Through the great glen of the world today.
It’s a thought that will make our tyrants (Rogues who fancy themselves so fine and gay) Take the road, and seek other pastures For their ill ploys to sport and play
No more will our bonnie callants March to war when our braggarts crousely craw, Nor wee ones from pit-head and hamlet Mourn the ships sailin’ down the Broomielaw.
Broken families in lands we’ve harried, Will curse our names no more, no more; Black and white, hand in hand together, Will drive the tyrants from every shore
So come all ye at home with Freedom, Never heed the crooked hoodies croak for doom. In your house all the bairns of Adam Can find bread, barley-bree and painted room.
When MacLean meets with friends in Springburn Sweet the flowers will all bloom that day for thee And a black boy from old Nyanga Will break his chains and know liberty
The full title is ‘The Cottager’s Complaint, on the Intended Bill for Enclosing Sutton-Coldfield’ and it was written by John ‘Poet’ Freeth (1731-1808) the owner of Freeth’s Coffee House in Birmingham and a well known poet and songwriter. He published a book called ‘The Political Songster: Or, a Touch on the Times, on Various Subjects, and Adapted to Common Tunes’ which went to at least 6 editions.
How sweetly did the moments glide, how happy were the days!
When no sad fear my breast annoyed, or e’er disturbed my ease;
Hard fate! that I should be compelled my fond abode to lose,
Where threescore years in peace I’ve dwelled, and wish my life to close.
Chorus
Oh the time! the happy, happy time, which in my cot I’ve spent; I wish the church-yard was his doom, who murders my content.
My ewes are few, my stock is small, yet from my little store
I find enough for nature’s call, nor would I ask for more!
That word, ENCLOSURE ! to my heart such evil doth bespeak,
I fear I with my all must part, and fresh employment seek.
Chorus — Oh the time, &c.
What little of the spacious plain should power to me consign,
For want of means, I can’t obtain, would not long time be mine:
The stout may combat fortune’s frowns, nor dread the rich and great;
The young may fly to market-towns, but where can I retreat?
Chorus — Oh the time, &c.
What kind of feelings must that man within his mind possess,
Who, from an avaricious plan, his neighbours would distress?
Then soon, in pity to my case, to Reason’s ear incline;
For on his heart it stamps disgrace, who formed the base design.
I was lucky enough to hear The Young’Uns open with ‘A Place Called England’ at a gig in Bristol last night. Here’s the original version by Maggie Holland – it won the award for Best Song at the BBC Folk Awards 1999. It’s all about gardens and English soil and has a nice reference to the diggers!
I rode out on a bright May morning like a hero in a song,
Looking for a place called England, trying to find where I belong.
Couldn’t find the old flood meadow or the house that I once knew;
No trace of the little river or the garden where I grew.
I saw town and I saw country, motorway and sink estate;
Rich man in his rolling acres, poor man still outside the gate;
Retail park and burger kingdom, prairie field and factory farm,
Run by men who think that England’s only a place to park their car.
But as the train pulled from the station through the wastelands of despair
From the corner of my eye a brightness filled the filthy air.
Someone’s grown a patch of sunflowers though the soil is sooty black,
Marigolds and a few tomatoes right beside the railway track.
Down behind the terraced houses, in between the concrete towers,
Compost heaps and scarlet runners, secret gardens full of flowers.
Meeta grows her scented roses right beneath the big jets’ path.
Bid a fortune for her garden—Eileen turns away and laughs.
So rise up, George, and wake up, Arthur, time to rouse out from your sleep.
Deck the horse with sea-green ribbons, drag the old sword from the deep.
Hold the line for Dave and Daniel as they tunnel through the clay,
While the oak in all its glory soaks up sun for one more day.
Come all you at home with freedom whatever the land that gave you birth,
There’s room for you both root and branch as long as you love the English earth.
Room for vole and room for orchid, room for all to grow and thrive;
Just less room for the fat landowner on his arse in his four-wheel drive.
For England is not flag or Empire, it is not money, it is not blood.
It’s limestone gorge and granite fell, it’s Wealden clay and Severn mud,
It’s blackbird singing from the May tree, lark ascending through the scales,
Robin watching from your spade and English earth beneath your nails.
So here’s two cheers for a place called England, sore abused but not yet dead;
A Mr Harding sort of England hanging in there by a thread.
Here’s two cheers for the crazy diggers, now their hour shall come around;
We shall plant the seed they saved us, common wealth and common ground.
This podcast features some songs from the singers circle we ran at the Oxford Real Farming Conference in 2016. It includes the wonderful Ed Hamer singing the Farmer’s ABC!
You must be logged in to post a comment.