Tag Archives: suffolk

Summer Youth Residency

Toby and Georgie sing a duet

Way back in warm, sunny August, seven young people gathered somewhere in the depths of the East of England; the outskirts of a town called Diss (plenty of puns were made) in a lovely cottage, previously home to the writer Roger Deakin.

Five of us were from the youth organisation Woodcraft Folk, and we were glad to be joined by Molly and Kathleen who we hadn’t met before but quickly made friends with.

We were joined by Robin and Rachel and spent the week reading, singing and learning all about the history of our land and the struggles that have been fought for it. We listened to podcasts, taught each other songs and shared food together between practicing sections of the show ready for a performance.

At the end of the week, we performed a full show of Three Acres and a Cow as a group, complete with poetry, sketches and, of course, singing.

Since the residency, Anna has successfully applied for funding to develop a Quaker version of the show alongside Robin, and I have been involved in various performances of the show in my new role as youth apprentice.

Here is a selection of photos from the week:

– Naomi, apprentice of Three Acres And A Cow

George Ewart Evans and Suffolk farming tales

This is a great hour of radio – Ask the Fellows That Cut the Hay – http://www.bbc.co.uk/programmes/b00rv8yk

fellows-hay

In this BBC Archive On Four, historian Alan Dein celebrates the centenary of his mentor George Ewart Evans, collector of Suffolk farming tales. Evans began by chatting to his neighbours over the fireside in the 1950’s and transcribing stories about poaching, shepherding, smuggling and ditching.

The talk was of a hardscrabble life, of leaky roofs and meals of pea soup and pollard dumplings and beef only at Christmas with occasional festivities like the Whitsun fair.

Evans came from a Welsh mining village and he sympathised with the labourers’ stories about the tyranny of the trinity of the parson, squire and farmer. He was a sympathetic listener who asked allowed his community to speak for itself and he captured the stories of people whose traditions had been unbroken for generations, who worked on the land before mechanisation and who believed in magic and folk wisdom and had intuitive understanding of working with animals.

Evans’ eleven books about the working lives and folk stories of Blaxhall are a portrait of every facet of his village and paved the way for books and programmes, both fiction and not fiction, about British agricultural life.